Open to Head of Content or Content & Media Lead roles · Hanoi or remote

HOANG
HAI

Content & Media LeadLead Video Editor

10 years in video and four lead roles. I build the formats, review rules and weekly calendars that keep a team publishing on TikTok, Facebook, YouTube and Zalo. At ANTA that meant 248 TikToks in seven months, now at 14.7M views to date.

Zalo / phone: 0943 801 146

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10years in
video content
4lead roles
since 2015
14.7Mviews to date · 248 ANTA
TikToks, 20/5–12/2023
4.2Mviews on the top
ANTA TikTok
12.4Mmonthly reach · TS Group 05/2025
· team result, may include paid
+17Mchannel views while I led
· Schannel, 01–06/2015
Content leadership

How I lead content teams

I own quality from idea and script to shoot, edit and publish. I set the formats, templates and review rules, plan the weekly and monthly calendar, and train editors and creators so the team does not depend on one person.

TS Group / DRTS · Lead Video EditorA 4-channel content system with formats, templates and review rules. See the case study→
ARR · ANTA Sports Vietnam & ANTA Kids · Content Lead
14.7M
views to date on 248 TikToks posted 20/5–12/2023 across ANTA Sports (11.0M) and ANTA Kids (3.8M)
  • Followers 54 → 2,389 from 20/5 to 28/6/2023, as tracked in my report
  • Top video at 4.2M views; 4 videos over 1M. Public pace: about 4 videos a week per channel
Public TikTok counts collected 10/2026 (lifetime views) and my own reports. Channel totals include every video on the channel.
Schannel (YouTube) · Lead Video Editor
+17M
channel views (+32%) in 5.5 months as team lead, 01/01–14/06/2015
  • The team held 17.4 videos a week (410 videos); 1/3–14/6/2015 averaged 116K views a day, 22% above Q4 2014
  • Joined as a junior shooter and editor; as lead I trained the juniors, built the edit process and gave final approval; 3 editors in Hanoi and Saigon
Social Blade via Wayback Machine snapshots; videos from the public Uploads playlist. New subscribers a day were lower than before I led (149 vs 193).
Lead roles
4
lead roles since 2015
  • Schannel, 2015: Lead Video Editor, 3 editors, 17.4 videos a week
  • VinTaTa, 2017: led a 3-person post team with a US director and DOP
  • ANTA, 2023: Content Lead, 2 TikTok channels
  • TS Group, 2024–2025: Lead Video Editor for a 4-channel system
How I run a content team

One system, from idea to the numbers

  1. Idea & positioningPillars per channel, weekly and monthly calendar
  2. ScriptHooks, structure, briefs for creators on camera
  3. Shoot & editFormats and templates for vertical, square and long-form
  4. Review rulesOne quality bar before anything ships
  5. PublishTikTok, Facebook, YouTube, Zalo, website
  6. Read the numbersOrganic metrics feed next week’s plan
Three leadership stories

What I walked into, what I changed

TS Group / DRTS · 2024–2025

Rebuilding a young media team

Situation
A young team of video editors and camera crew without solid technique, delivery standards or a shared file system.
What I did
Set up the shoot and edit process and an animation kit for the whole media team; retrained everyone from the basics, including delivery files; rebuilt the company’s media file system and reorganised the equipment; rewrote the workflow and the shoot and edit scripts for client acceptance videos after treatment.
Result
The whole team worked to one standard. While I led video, the main page’s monthly reach (sum of daily) grew from 786K to 12.4M (08/2024 → 05/2025), a shared marketing-team result that may include paid reach.
Case study →
ARR · ANTA & ANTA Kids · 05–12/2023

Growing two brand channels against KPIs

Situation
KPIs for follower growth and 6–7 videos a week for ANTA, 4–5 for ANTA Kids, to one content standard and a quarterly plan.
What I did
Researched customer insight and proposed the quarterly content plan: content lines to put on air and the social formats most likely to pull an audience. Trained VJs and creators in writing, on-camera presence, voice recording and acting. Alongside, shot and edited for ARR’s Balabala brand and the company team building.
Result
248 TikToks from 20/5 to 12/2023 with 14.7M views to date, 4 over 1M including one at 4.2M; ANTA followers 54 → 2,389 in the first five weeks; a monthly report to management. Output averaged about 4 videos a week on each channel: below the 6–7 target for ANTA, close to the 4–5 target for ANTA Kids.
See the reports →
VinTaTa Animation Film Studio · 2017

Leading post-production on an animated film

Situation
A large volume of scenes moving between 3D, 2D animation, 2D art and storyboard teams.
What I did
Owned the input and output standards at every stage of post-production, worked with my team through the scene backlog, and supported the 3D, 2D animation, 2D artist and storyboard teams until the production was complete.
Result
Delivered the full post-production with a 3-person team, alongside a US director and DOP.
Case study · content system · 2024–2025

TS Group: one system, four channels

TS Group / DRTS needed steady output on Facebook Ads, TikTok, YouTube and Zalo from a mixed team. As Lead Video Editor, I set up the system the whole team worked inside.

The challenge
  • Four channels, each with its own format and pace
  • Several contributors at different skill levels
  • The ad team had to find the right video for each campaign fast
What I built
  • Formats and templates per channel: intro, outro, lower thirds, transitions, thumbnail treatment, color and sound
  • Written review rules and a retraining round for 4 contributors
  • A structured media library for original footage
  • AI transcript tagging: videos renamed and sorted by content so the ad team could filter and run them
Result
786K → 12.4M
monthly reach (sum of daily reach) on the page the team produced video for, 08/2024 → 05/2025
  • Interactions 86K → 346K a month over the same period; a shared result of the marketing team
  • 78 / 72 / 78 posts a month on the page in Q1/2024, including the doctor’s own posts and livestreams
  • YouTube series “Hành trình tìm con yêu”, the TS Group identity film, year-end and event films

Monthly reach (sum of daily reach) · “Bác sĩ Thành Sơn” page

The page the team produced video for while I was Lead Video Editor. A shared marketing-team result; reach may include paid promotion. November 2024 is missing in the source.

Show the numbers
MonthReach (sum of daily)Interactions
08/24786,16885,866
09/24794,698111,458
10/24789,53035,550
11/24n/an/a
12/241,076,17548,880
01/251,087,30748,666
02/251,851,936189,159
03/252,731,734171,983
04/257,577,709248,577
05/2512,426,489345,685

Source: TS Group marketing department channel report (“CHỈ SỐ KÊNH”).

Made inside the system

Films and Facebook ads from the DRTS / TS Group content system, 2024.

TS Group: Brand Identity

Identity film · 4K animation

TS Group: Year End 2024

Corporate year-end film

DRTS Facebook ad DRTS Facebook ad DRTS Facebook ad DRTS magazine layout
Case study · Schannel (CellphoneS) · 10/2014–06/2015

From junior editor to team lead

Schannel is the tech YouTube channel of the CellphoneS retail chain: unboxings, reviews, comparisons and buying advice. I joined on 20/10/2014 as a junior shooter and editor and led the edit team from 1/1/2015 to 14/6/2015.

Context and role
  • A retail brand channel posting about 17 videos a week
  • Unboxings and reviews were about half of all videos; branded series S News, S Focus, S Update, S Wiki, S Games and Quà tặng tối thứ 7
  • Junior shooter and editor from 10/2014; team lead from 01/2015 for 3 editors in Hanoi and Saigon
What I did as lead
  • Trained the junior video editors
  • Built the edit process the juniors worked to
  • Coached shooting and editing directly, on real videos
  • Final reviewer: every cut passed me before it went live
While I led (1/1–14/6/2015)
+17M
channel views (+32%) in 5.5 months
  • The team held 17.4 videos a week (410 videos)
  • 1/3–14/6/2015: 116K views a day, 22% above Q4 2014
  • “Top picks and buying advice” grew from 1.7 to 3.2 videos a week (10% to 17% of output) and averaged 15% more views per video than the channel
  • Videos at 100K+ views: 12.7% of output, up from 11.8%. New subscribers a day were lower than before (149 vs 193)

Channel views a day, monthly average · April 2014 to June 2015

Bright bars: the months I led the team. January and February 2015 dip with Tết. Hover or tap a bar for the figure.

Source: Social Blade via Wayback Machine snapshots; monthly averages interpolated between snapshot days (estimates). Videos from the public Uploads playlist; per-video views are lifetime totals to 10/2026. The numbers show what happened while I was responsible, not the cause. Three-period table and CSV →

What I took from it
  • A written edit process lets juniors keep a daily pace without the lead re-cutting their work.
  • Read views, output and quality together. Subscribers alone would tell a different story here.
Where this shows up today
  • I used the same approach later, training people, writing the process down and owning the final review, at ANTA (2023) and TS Group (2024–2025).
Growth data · company by company

The numbers, where I have them

Pick a company. Hover or tap a bar for the exact figure, open the table, or download the CSV. Each chart says where the numbers come from and what they do not prove.

From my monthly reports

How I report to management

Slides from the monthly TikTok reports I wrote at ANTA in 2023, the ANTA Kids one together with a colleague: output, channel analytics, what worked and what did not, and next steps.

Download the evidence pack (PDF, English summary + Vietnamese detail)

ANTA follower growth from 54 to 2,389
Followers 54 → 2,389 in five weeks
Video credits table: script and edit by Hai
Who made what: scripts and edits per video
ANTA content pillars X, IN, R
Content pillars for ANTA Sports
ANTA Kids content mix July 2023
ANTA Kids, July 2023: 16 videos across 5 content lines
What worked and what did not, ANTA Kids July 2023
What worked and what did not (ANTA Kids report, co-written). Worked: info scripts over one minute, tighter edits with memes and sound design; Sharing and Style videos starting to pass 1,000 views. Not yet: no access to ad data to profile the audience.
Next steps proposed in the ANTA Kids report
Next steps I proposed: keep the agreed content lines, new camera framing and text placement, more memes in Sharing and Style
Real-estate content · Vietnam & US

Content for property developers: steady and on-brand

  • Run TikTok, Facebook, YouTube and Zalo on one set of formats and review rules (as at TS Group, a healthcare group).
  • Work with the ad team: videos tagged by content so campaigns launch fast.
  • Long Hải launch film (freelance): location, infrastructure and pricing told as one story for a Vietnamese property launch.
  • US real-estate podcasts (freelance, 07–09/2026): long-form episodes and reels for several agent-led shows, with rough cuts prepared by my own tools.

Long Hải: real-estate launch film

Property launch · Vietnam

Experience

10 years, four lead roles

Lead roles at Schannel (2015), VinTaTa (2017), ARR for ANTA and ANTA Kids (2023) and TS Group (2024–2025). Since 2025: remote US campaign and podcast work.

Leadership & production
Team leadershipProduction planningFormats, templates & review rulesEditor & creator trainingWeekly / monthly content calendar
Channels & short-form
TikTokFacebookYouTubeZaloWebsiteHooks & pacingOrganic metrics
Editing & post
Premiere ProDaVinci ResolveAfter EffectsPhotoshopIllustratorCapCut ProColor & sound
AI & automation
AI agentsMCPComfyUIKling / VeoPythonffmpeg
Education Hanoi Academy of Theatre and Cinema: Film Directing (2018–2020) Saigon International Film School: Film Directing (2016–2017) Vietnam University of Commerce (2012–2016) · FPT Arena Multimedia English: professional working proficiency
  1. 07/2026–09/2026 · Remote

    Video Editor · US real-estate podcasts (short-term freelance)

    Icons of Real Estate (US) · Freelance

    Podcast video for several US real-estate channels: multicam, story structure, motion intro/outro packages, thumbnails and banners. AI in the pipeline for script support, B-roll search and content review; async, versioned delivery.

  2. 06/2025–03/2026 · Remote

    Senior Video Editor · Campaign Creative

    PODS / Pod Marketing (US market)

    3+ brand and product videos a week from English briefs, concept to final. One campaign video reached an 18% CTR and 9,445 clicks across two Facebook and Instagram runs (client-reported).

  3. 01/2024–05/2025 · Hanoi

    Lead Video Editor · Multi-channel content system

    TS Group / DRTS

    Led output across Facebook Ads, TikTok, YouTube and Zalo on one set of formats, templates and review rules; retrained 4 contributors. Full numbers in the case study above.

  4. 05/2023–12/2023 · Hanoi

    Content Lead · ANTA Sports Vietnam & ANTA Kids

    ARR – An Việt Sông Hồng

    Led content for ANTA and ANTA Kids: 248 TikToks posted from 20/5 to 12/2023, 14.7M views to date, one at 4.2M views. Quarterly content plans, scripts, creator training and a monthly report. Also shot and edited for ARR’s Balabala brand and the company team building.

  5. 2020–2023 · Hanoi

    Freelance Video Editor

    VNS · Long Hải

    Campaign and property launch films, alongside film directing studies (2018–2020).

  6. 01/2017–08/2017 · Hanoi

    Lead Editor · Editor Manager

    VinTaTa Animation Film Studio

    Led a 3-person post-production team: animatics, previs, 2D compositing and delivery QC; worked with a US director and DOP.

  7. 06/2015–05/2016 · Hanoi

    Video Editor / Script Writer

    Upcreative

    Scripts, concepts and video production in a production house.

  8. 10/2014–06/2015 · Hanoi

    Junior Video Editor → Lead Video Editor

    Schannel

    Joined as a junior shooter and editor; team lead from 01/2015 for 3 editors in Hanoi and Saigon. I trained the juniors, built the edit process and gave final approval. Numbers in the Schannel case study.

Hands-on craft

Showreel 2026

73 seconds of my strongest work: POD, TS Group, ANTA, Balabala, VinTaTa and US podcast clients. The 3D intro and outro are my own Blender build.

Music · “Sci-Fi Score” by Arulo (Mixkit free license) · SFX Mixkit Cut on a 139.6 BPM beat grid · -14 LUFS · 1080p
Hands-on work

Selected work

Hands-on pieces from the teams and clients above. Hover to preview, click to watch with sound.

Brand films & explainers

Short-form & social

US podcast intros & outros

Craft sample · 2026

POD81: from a text brief to 3D glass motion

A brand motion for Pod's Retail Placement Program. The brief was eight frames of copy and a square format. I took it through four storyboard rounds, ten style explorations, a beat-locked UI rebuild, and finally a 3D glass version rendered in Blender and composited under the interface.

RoleConcept, storyboard, motion, 3D, sound
ToolsAfter Effects · Blender · DaVinci · Illustrator
Delivery16:9 · 1:1 · 3:4 · 9:16 at 60 fps
QC-14 LUFS · 0 freeze/black frames · 4/4 pass
See the process and the delivery formats
The brief
01

The brief

Eight frames of copy, one CTA, a SaaS UI reference. No visuals yet.

Storyboard rounds
02

Four storyboard rounds

From nine illustrated frames down to five motion-ready boards.

Ten styles
03

Ten visual directions

Same script, ten looks, to find the tone before committing.

Rebuild V5
04

Beat-locked UI rebuild

Soft cards, a typing input bar, one accent word. Every cut on the beat at 126 BPM.

3D glass doors
05

Going 3D

Thin-film glass logomark, a wall of 27 glass doors lighting up as the counter climbs to 2,000+.

Before and after
06

Before / after

Same frame, same timing. Flat UI on the left, 3D glass on the right.

16:9

YouTube · Web

1:1

LinkedIn · Feed

9:16

Reels · TikTok

AI tools · built by me

Tools that let a small team ship more

At TS Group, AI transcript tagging let the ad team find and run the right video fast. Since then I have built tools for logging, transcripts, B-roll search, captions, rough cuts and pre-delivery QC.

Used on my US podcast work · 15 shows

Transcript-first podcast editing pipeline

Raw recordings in, a reviewed rough cut inside DaVinci Resolve or Premiere out. Every step leaves a file a person can check before the edit changes.

  1. IntakeSource inventory, guest research pack
  2. TranscribeLocal GPU Whisper, 18–37× realtime
  3. Cut planQuestion map, keep/drop list, second review
  4. Build the editResolve / Premiere by script, test run first
  5. Audio-16 LUFS master, auto-timed bleeps, speaker camera plan
  6. QCRender checks, editorial score, fix log

Transcript & tagging

The tool the TS Group ad team used: transcripts rename and sort videos by content. Later extended with local GPU transcription and Descript exports for podcast work.

Video Pipeline

Brief to delivery: parses briefs into shot plans, maps music to a beat grid, and checks every render for loudness, bitrate, freeze and black frames.

Automatic contact sheet from the QC tool

Besides full-time roles I take projects: content systems, media team audits, AI automation for video, and production.

Besides full-time roles · projects

Lead the system, or make the videos

Full-time roles come first, and I also take projects. Pricing depends on scope; send a brief and I reply within a day with a plan and a quote.

Leadership and consulting

Content system, part-time lead

Your team publishes on-brand video every week without you checking every cut.

  • Channel audit and content lines
  • Formats, templates and a weekly calendar
  • Written review rules and team training
  • A monthly report to management
30 / 60 / 90-day plan·Price: by scope, negotiable

Media team audit and review rules

A written edit process and review checklist your juniors can work to.

  • Review of a month of output
  • Edit process and delivery-file standard
  • Review checklist per format
  • A hands-on training session
Usually 1–2 weeks·Price: by scope, negotiable

AI automation for video production

Less time on logging, tagging and rough cuts, more time on the edit.

  • Map of your current workflow
  • AI agent pipeline: transcripts, tagging, rough cut
  • Hand-over guide for the team
Scoped per workflow·Price: by scope, negotiable

Production

Podcast, multicam

A full episode plus vertical clips, ready to publish.

  • Multicam edit, sound and captions
  • Vertical clips and thumbnail

Short-form package

TikTok and Reels made to one content standard.

  • Hooks, pacing and motion text
  • Vertical and square exports

Campaign and brand film

From brief and concept to final cut.

  • Concept, pacing and final cut
  • Versions per platform

Motion intro and outro

A reusable opening and closing package for your show.

  • Intro, outro and lower thirds
  • Editable project files

Prefer to talk first? Zalo · 0943 801 146

Hoang Hai
Open to Head of Content or Content & Media Lead roles

Hiring a head of content?

Head of Content, Content & Media Lead or Lead Video Editor, in Hanoi or remote. Email or Zalo is fastest; I reply within a day.